When Judas Priest’s ‘Rocka Rolla’ Buckled Under Huge Challenges
Like the metal's first champions before them, Judas Priest hailed from the industrial metropolis of Birmingham, England, and had secured the services of producer Rodger Bain, who was responsible for the first albums by both Sabbath and Budgie.
The contents of Rocka Rolla, however, didn’t exactly sparkle like the highest grade of stainless British steel. Instead, the three-song suite of "Winter," "Deep Freeze" and "Winter Retreat" hinted at ulterior progressive rock motives. Second half fare like "Dying to Meet You" and "Run of the Mill" (a rather fitting title) waffled on and on into tepid balladry, while "Caviar and Meths" was barely a song.
In addition, someone put a harmonica smack-dab in the middle of "Cheater" and the album’s title track. Then again, Bob Dylan’s "Ballad of Frankie Lee and Judas Priest" did inspire the band’s name, so perhaps a blues harp makes some sense.
Listen to Judas Priest's 'Rocka Rolla'
In all seriousness, though, there was no disguising the forceful bite and metallic intent either dominating or haunting all of these songs to some degree. That's particularly true on this album's most enduring numbers, including "One for the Road," "Never Satisfied" and the title track.
What’s more, it’s entirely unfair to neglect the very precarious conditions in which Judas Priest were forced to record Rocka Rolla to begin with.
Rob Halford and Glenn Tipton later told UCR said Judas Priest was forced to record everything live and overdub-free during the studio’s night shift from sundown to sunup – and then sleep it off all day, inside their baking-hot touring van parked in the alley.
Thankfully, all of this sacrifice was worth it in the end, as Judas Priest went on to develop and perfect their sound in time for 1976’s landmark sophomore album Sad Wings of Destiny. Unlike the less-than-perfect Rocka Rolla, the followup left absolutely no doubt that these "metal gods" were here to stay.
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