Ryan Reed is a freelance music / pop culture journalist / editor. Besides Diffuser.fm, he currently contributes to Rolling Stone, Paste, Billboard, eMusic, The Phoenix, Metro Pulse, Blurt, Relix, American Songwriter, and many other outlets. He's also an adjunct English and Communications professor. When he's not writing or teaching, he's probably recording his own music, record shopping, playing with his Brittany Spaniel (Tegan), eating copious amounts of chicken wings, or drinking girly beverages.
There Won’t Be a Supergroup Featuring Genesis’ Tony Banks: Exclusive Interview
Though he has certainly worked with lots of famous folks, Tony Banks calls supergroups "a little off-putting."
Why Genesis Started Writing Shorter Songs: Exclusive Interview
As Phil Collins took over for singer Peter Gabriel, Genesis shifted toward more concise, radio-friendly singles.
Why Genesis’ Tony Banks Left Progressive Rock Behind: Exclusive Interview
Tony Banks' music has been dotted with oboes and cornets since releasing 2004's 'Seven' – not synthesizer solos and tom-tom fills.
Tony Banks Says Genesis Are Probably Done for Good: Exclusive Interview
Phil Collins' halting return to the stage has inevitably sparked new questions about another rebirth for Genesis.
Cruise to the Edge 2018: Review
Yes' annual floating retreat, Cruise to the Edge, has been a vehicle for both celebration and mourning – as much a memorial service as a music festival.
Steve Hackett Celebrates Genesis: ‘I Do Love the Music’
Steve Hackett's hard drive, much like his brain, is crammed with music.
How Genesis’ ‘Pure Prog’ Era Ended With ‘Spot the Pigeon’
It's easy to forget 'Spot the Pigeon,' but that's fine with Genesis: Most of them wish it didn't exist.
Cruise to the Edge 2017: Yes Revamp ‘Drama,’ Honor John Wetton
The spirit of John Wetton hovered over this year's installment of Yes' Cruise to the Edge.
Yes’ Geoff Downes Talks ‘Drama’ Tour, Cruise to the Edge and More: Exclusive Interview
This is a strange time in Yes history.
45 Years Ago: Captain Beefheart Looks Backward With Experimental Blues-Rock on ‘Mirror Man…
Captain Beefheart and the Magic Band's fifth album was a step both forward and backward.